https://flanbe.online/home daily 0.75 2025-02-13 https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/1601735748747-TWS3U8VH7U7XF1FT5QXC/H_libro5.jpg Home Es un placer https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/1601735644584-PT8SNVRDHY5ANBB0AXVK/H_libro4.jpg Home https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/1601735661419-HHG23XGALZ0RB39WFJJO/H_libro2.jpg Home https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/1601735679594-WNQNTG8UE8BH5JU6YWCX/H_libro1.jpg Home https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/b2bdcdd0-3a22-4cc9-89e0-e0545a14c3cd/teneruncuerpo_1.jpg https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/39fb0497-5b66-49cf-89db-e27c481d59f8/teneruncuerpo_5.JPG https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/b278df3c-28d2-41d5-95a8-f9c6fa4029cd/491dd163-5d1c-4bcc-88c2-ca67c5336f00.JPG Home Pequeña Filosofía del Taller by Mauro Suarez Torrico. https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/6353b57c-4802-4d36-8f43-cf9ec67d20df/comboAKI%2BPIN_2.jpg Home - Hola,Hello,こんにちは Daily Snaps de Aki Oishi. https://flanbe.online/gallery daily 0.75 2021-09-06 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847331546-NBMOOBORXBR1I52QDOEM/20140301_Trade-151_0124-copy.jpg Gallery https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847332082-XD1KMA4EER5NVQWQZJ4O/20140301_Trade-151_0124-copy.jpg Gallery https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847330913-1F0BEVH4E8EWIS3SJYLB/20140301_Trade-151_0124-copy.jpg Gallery https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847330272-BEQUDHMNDH37S90TSA0T/20140301_Trade-151_0124-copy.jpg Gallery https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847329019-GP1Z6VXLF9U75MC4JIO0/20140301_Trade-151_0124-copy.jpg Gallery https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847328311-R7PAZDQTBOBSEOWC9YQ3/20140301_Trade-151_0124-copy.jpg Gallery https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847327684-2C1WKZU35SCT0ZV1OJOX/20140301_Trade-151_0124-copy.jpg Gallery https://flanbe.online/about daily 0.75 2025-03-03 https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/8f596a1d-137b-40f6-8dd2-364e0ee92573/jime.passadore.jpg About - Flanbé. Artistbooks conceived as a portable exhibition, delicate and elegant art pieces. Flanbé is an independent publishing house dedicated to visual art and design books. Founded by Jimena Passadore, this venture began as a means for her to edit and publish her own work. Each Flanbé publication is conceived as a portable exhibition—delicate and elegant art pieces inspired by artists' notebooks. We produce print runs of 100 to 300 signed copies, and our catalog currently features 26 unique titles. Flanbé connects artists from Latin America to the world, fostering continuous and dynamic interactions within the art community. https://flanbe.online/contact daily 0.75 2025-03-03 https://flanbe.online/about-esp daily 0.75 2025-03-03 https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/bfb0dd62-596a-473a-afce-c2a57ba6464f/01f-2.jpg About ESP - Libros de Artista. Una exhibición portátil, elegante y delicada. Flanbé es una editorial independiente dedicada a libros de arte y diseño. Fundada por Jimena Passadore, este proyecto comenzó como una forma de editar y publicar su propio trabajo. Cada publicación de Flanbé se concibe como una exposición portátil: piezas de arte delicadas y elegantes inspiradas en los cuadernos de los artistas. Realizamos tiradas de 100 a 300 copias firmadas, y nuestro catálogo cuenta actualmente con 26 títulos. Flanbé conecta a artistas de América Latina con el mundo, fomentando interacciones continuas y dinámicas dentro de la comunidad artística. https://flanbe.online/stock daily 0.75 2025-06-27 https://flanbe.online/artistas daily 0.75 2021-09-13 https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/e72827b1-f9e9-4542-81e1-8570d19df4bf/Jimena2.jpg Artistas Jimena Passadore https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/33961c14-b70b-453f-a0e0-66a9f761ac9e/Suarez+Torrico+Mauro.jpg Artistas Mauro Suarez Torrico https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/134afa3b-7b8b-4926-9dd2-e058ad11bdb1/Roma+.jpg Artistas Roma Vaquero Diaz https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/bbd80144-f647-4de0-81c8-f7852eba0a3d/HIRAM2.jpg Artistas Hiram Di Lorenzo https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/9a39e332-ec18-46ae-a0bb-d662def91ce6/Leylarodriguez2.jpeg Artistas Leyla Rodriguez https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/5b18b43b-be13-4ac9-8473-34c4938847af/Aki_OISHI.jpg Artistas Akinori Oishi https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/25e43fa4-6136-4e8a-9b41-cc62735d0896/SZANKAY_IMG_0317.jpg Artistas Lena Szankay https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/623425d9-9cc5-4139-b478-be353dd1b272/MaroevicMatias.jpg Artistas Matías Maroevic https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/9c7f0173-11bc-4094-b341-bdd6f3b8282b/15Cm-rVg.jpeg Artistas Lucila Bodelón https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/1633480868657-DAAXEEIZUI0BJGFGSCJU/Pascal.jpg Artistas Pascal Haas https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/95fe880e-e15e-46e6-ae2d-b80238d15031/IreneBerzero_2.jpg Artistas Irene Berzero https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/1633480719504-OZDGCM0IBT0KX0YFFDSV/EWWoKwrw.jpg Artistas Tomás Cochello https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/80c1acec-c3c4-4c03-bb54-46628bd7e0a3/florreina.jpg Artistas Flor Reina https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/efbaa7af-32b4-41a9-b5d1-943a5d79801c/LAURA_VARSKY.png Artistas Laura Varsky https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/3c905d85-b331-43b8-9452-16b8216e8abb/Lars_lindemann.jpg Artistas Lars Lindemann https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/f20fddfa-0b3e-47a5-9013-c4ee66dd6df6/gabidigiusseppe.jpg Artistas Gabriela Di Giuseppe https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/18f54ea3-02e0-4b8c-b2a7-bdef1c26871c/Catedra+Wainhaus.jpg Artistas Cátedra Wainhaus https://flanbe.online/roma-vaquero-diaz daily 0.75 2021-10-12 https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/1631023745672-C4TKX9AVZ68MRGTFYBPT/roma.jpeg Roma Vaquero Diaz - Artista multidisciplinaria, performera e investigadora. Sus proyectos incluyen performance, instalación, fotografía y audiovisual. Magister en Lenguajes Artísticos Combinados (U.N.A.) y Licenciada en Arte Escénica (U.N.R.). Ha participado de exposiciones en Argentina, Chile, Uruguay, Ecuador, Venezuela, México, Colombia, Estados Unidos, España, Bélgica e India. Sus obras recientes se exhibieron en Centro Cultural Kirchner (CABA), Museo Provincial de Bellas Artes (La Plata), Espacio Idea MEC (Montevideo), Centro Cultural de la Memoria Haroldo Conti (CABA), Museo Jacobo Borges (Caracas), Centro Cultural San Martín (CABA) Ha publicado diversos artículos en revistas y portales culturales en el ámbito nacional e internacional, entre ellos Revista Sudestada y Le Monde Diplomatique. Es autora del libro Cuántos cuerpos entran en un cuerpo. Cuaderno de Territorios (Editorial Flanbé, 2020), y coautora del libro Mujeres de Kurdistán. La revolución de las hijas del sol (Editorial Sudestada, 2017). Desde 2017 dirige Mundo Performance, plataforma de investigación en relación al arte de performance y el arte contemporáneo. Vive en Buenos Aires donde tiene su estudio y brinda talleres de performance y de autobiografía. Roma Vaquero Diaz is a multidisciplinary argentine artist, performer and researcher. Her projects include performance, installation, photography and audiovisual. Mg. in Combined Artistic Languages (U.N.A.) and Lic. in Performing Art (U.N.R.). She has participated in exhibitions in Argentina, Chile, Uruguay, Ecuador, Venezuela, Mexico, Colombia, USA, Spain, Bélgica and India. Her recent works were exhibited at the Kirchner Cultural Center (CABA), Provincial Museum of Fine Arts (La Plata), Espacio Idea MEC (Montevideo), Haroldo Conti Memory Cultural Center (CABA), Jacobo Borges Museum (Caracas), Cultural Center San Martín (CABA) She has published various articles in national and international magazines and cultural portals, including Sudestada Magazine and Le Monde Diplomatique. She is author of the book How many bodies go into one body. Territories Notebook (Editorial Flanbé, 2020), and she is co-author of the book Women of Kurdistan. The revolution of the daughters of the sun (Editorial Sudestada, 2017) Since 2017 she has directed Mundo Performance, a research and creation platform in relation to performance art and contemporary art. She lives in Buenos Aires where she has her studio and gives performance and autobiography workshops. https://flanbe.online/hiram-di-lorenzo daily 0.75 2021-10-18 https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/1633524224544-OXBN4IVEZ0KK8B920P6N/_kaC0y3w.jpeg Hiram Di lorenzo - Hiram Di Lorenzo nació en 1990, en la provincia de Mendoza, Argentina. Fotógrafo que pasa sus tiempos experimentando de manera lúdica la imagen.Inició sus formación en Diseño Industrial y Gráfico donde ahondó en las técnicas de producción. Años después finalizó sus estudios en Diseño Fotográfico y Creativo. Residió en México, donde se profesionalizó en el oficio, para luego regresar a Argentina e iniciar su propios emprendimientos. Priorizando el Retrato, los viajes y recuerdos comenzó a trabajar en su Hproyecto. En 2019 publicó su primer libro "ES UN PLACER - Cuaderno de Desnudos"Actualmente trabaja en los rubros Publicitario, Social y Documental, y continúa con Hproyecto Hiram Di Lorenzo was born in 1990, in the province of Mendoza, Argentina. Photographer who spends his time experimenting with image in a ludic way. He began his training in Industrial and Graphic Design where he delved into production techniques. Years later he finished his studies in Photographic and Creative Design. He lived in Mexico for a few years, where he became professional in the trade,returned to Argentina to start his own projects. Prioritizing the Portrait, travel and memories began to work on his Hproject. In 2019 he published his first book "ES UN PLACER - Nude Notebook" His work have been exhibited in galleries and museums in Mendoza, Buenos Aires,México and the United States. He currently works in the Advertising, Social and Documentary fields, and continues with Hproyecto. https://flanbe.online/leyla-rodriguez daily 0.75 2024-03-11 https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/1634065157737-77W9KFUEN7975XEDBPOG/ku3qmw5w.jpeg Leyla Rodriguez - Leyla Rodríguez proviene de una familia de músicos y creció en Argentina en los años 1976-1983. En 1984 emigró a Europa con su madre y vivió allí en las ciudades de Frankfurt, Madrid, Berlín, Leipzig y Hamburgo. El viaje, la pérdida de identidad y el hogar son un papel central recurrente en este sentido y como representantes de los miembros de la familia, la música y los animales se convierten en el punto de partida de personajes complejos. En la vinculación del arte y la vida, que incluye, entre otras cosas, una práctica curatorial de larga data o la producción de libros de artista, las instalaciones y películas experimentales de Rodríguez, tanto en su diversidad medial como en su ejecución conceptual y práctica, diseñan el carácter de una obra de arte total. En 2011, Leyla Rodríguez recibió el Kraft New Media Prize. En los últimos años, sus obras han sido reconocidas internacionalmente y exhibidas en lugares como Torrance Art Museum, Los Angeles, (2023), Millennium Film Workshop, New York, (2022), Visarts Maryland, (2021), Festival des Cinémas Différents de Paris, (2020), 65th International Short Film Festival Oberhausen, (2019), MACRO Museo d'Arte Contemporanea di Roma, (2018), State Hermitage Museum St. Petersburg, (2017), Platforms at Art-Athina, Athen, (2016), MuVIM Museu Valencià de la II-lustració i la Modernitat, (2015), Instituto Cultural Peruano Norteamericano Cusco, (2014), Kunstverein Rostock, (2013), The Armory Center for the Arts, Pasadena, (2012), Tromsø Kunstforening, (2011), Artbeat Istanbul, (2011), Taubman Museum of Art, Roanoke, VA , (2011), Hirshhorn Museu and Sculpture Garden, Washington, D.C. (2010). Leyla Rodriguez comes from a family of musicians and grew up in Argentina in the years 1976-1983. In 1984 she immigrated to Europe with her mother and lived here in the cities of Frankfurt, Madrid, Berlin, Leipzig and Hamburg. The journey, loss of identity and home are a recurring central role in this respect and as proxies family members, music and animals become the starting point of complex characters. In the linking of art and life, which includes, among other things, a long-standing curatorial practice or the production of artists' books, Rodriguez's installations and experimental films, both in their medial diversity and in their conceptual and practical execution, design the character of a total work of art. In 2011, Leyla Rodriguez was the recipient of the Kraft New Media Prize. In recent years, her works have been internationally recognized and exhibited at such venues as Torrance Art Museum, Los Angeles, (2023), Millennium Film Workshop, New York, (2022), Visarts Maryland, (2021), Festival des Cinémas Différents de Paris, (2020), 65th International Short Film Festival Oberhausen, (2019), MACRO Museo d'Arte Contemporanea di Roma, (2018), State Hermitage Museum St. Petersburg, (2017), Platforms at Art-Athina, Athen, (2016), MuVIM Museu Valencià de la II-lustració i la Modernitat, (2015), Instituto Cultural Peruano Norteamericano Cusco, (2014), Kunstverein Rostock, (2013), The Armory Center for the Arts, Pasadena, (2012), Tromsø Kunstforening, (2011), Artbeat Istanbul, (2011), Taubman Museum of Art, Roanoke, VA , (2011), Hirshhorn Museu and Sculpture Garden, Washington, D.C. (2010). https://flanbe.online/jimena-passadore daily 0.75 2025-03-03 https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/1631023471981-JI4AV7TUGOLOB5KM38PS/4Do-_9gg.jpeg Jimena Passadore - Su obra se centra en la fotografía y los cruces posibles entre la escritura y el dibujo. Por medio de publicaciones e instalaciones explora narrativas literarias, políticas y personales. Se graduó como diseñadora gráfica en la Universidad de Buenos Aires, es jefa de Trabajos prácticos de Morfología en la cátedra Wainhaus, en la Facultad de Arquitectura y Urbanismo de la UBA. Ha realizado estudios de posgrado en la Escuela Superior de Artes de Berlin Weißensee gracias a dos becas del Servicio de Intercambio Académico Alemán (DAAD) en 2006 y 2013. Dirige Flanbé Ediciones, una editorial independiente, donde publica su trabajo junto al de artistas, diseñadores y estudiantes. Su obra se ha exhibido en exposiciones individuales y colectivas en la Argentina y en Alemania. Her work deals with the crossroads between photography, writing and drawing. Through a series of ongoing publications and exhibitions she explores literary, political and personal narratives. Majored in Graphic Design from the Universidad de Buenos Aires (UBA), she currently teaches Morphology alongside Professor Wainhaus. She hold a postgraduate degree from Kunsthochschule Berlin Weißensee, having won DAAD scholarships (2006-2013). She currently runs Flanbé Editions, an independent publishing house, where she publishes her work and the work of other artists, designers and students. Her work has been exhibited in solo and group shows in Argentina and Germany. https://flanbe.online/matias-maroevic daily 0.75 2021-10-16 https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/623425d9-9cc5-4139-b478-be353dd1b272/MaroevicMatias.jpg Matías Maroevic - Realizador Fotográfico. Me formé en el oficio de la fotografía en la escuela de Bellas Artes Rigolleau y en los talleres de Alberto Goldenstein, Guillermo Ueno, Lena Szankay, Raúl Flores y Bruno Dubnner. Mis herramientas son cámaras fotográficas portátiles de bajo costo y resolución. Mis imágenes son el resultado de varios tipos de formatos (fotográficos y no fotográficos) y técnicas que fui experimentando a través de trabajos como fotógrafo en performance, edición y docencia. En la búsqueda catártica, en la pulsión primera, se genera un ritmo en el cual surgen un cúmulo de imágenes para editar. Una fotografía no habla por sí sola sino que necesito de ese cúmulo para narrar. Utilizo las imágenes como palabras. La fotografía me da celeridad y pragmatismo. No trabajo desde un tema o temática aparente. Lo que me interesa o interpela aparece, me da pistas. Desde la sala de ensayo del punk rock al culture club, lo under, lo queer y las subculturas, me dan un refugio donde realizar mis imágenes. En los retazos mentirosos de otras realidades está mi interpretación del mundo y mi mundo se parece más al lugar que intento contar. Otras formas de deseo. I studied photography at the Rigolleau Fine Arts School and went on to receive further training under the guidance of Alberto Goldenstein, Guillermo Ueno, Lena Szankay, Raúl Flores and Bruno Dubnner. I use low-cost, low-resolution point-and-shoot cameras. My images are the result of several kinds of photographic and non-photographic formats and techniques I have developed over the years through my work as a photographer, performer, curator and educator. In my cathartic quest, at the inception of a primal urge, comes forth a rhythm from which a cluster of images springs. A single image would not be able to speak for itself, it is only through their aggregation that I can create a narrative. I use images like I use words. Photography allows me to be fast and pragmatic. My work does not follow a preconceived thematic axis. Rather, that which interests me makes itself apparent to me, giving me clues. From the punk rock rehearsal room right down to club, queer and underground cultures and subcultures – these are the safe havens where I create my images. Through the fragmentary, deceitful pieces of other realities I create my own worldview, and this world resembles the place I try to narrate. Other forms of desire. https://flanbe.online/irene-berzero daily 0.75 2021-10-12 https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/1633454136613-7BJJGV5VEEDDTOAFIWOS/IreneBerzero_2.jpg Irene Berzero - Inició sus estudios en los 70 en la Escuela de Artes de la Universidad Nacional de Córdoba y entre 1982/85 obtuvo la Licenciatura en Artes Visuales en el Liceo Municipal de Santa Fe. En los 90 asistió al taller de dibujo con Hermenegildo Sábat y Fundamentos Visuales con Alberto Delmonte. Durante 2000/06 realizó un posgrado, Licenciatura en Artes Visuales, en la Universidad Nacional del Litoral. Participó en 2009 de la beca para proyectos grupales del Fondo Nacional de las Artes con Matilde Marín como asesora. Trabajó a través del arte con discapacidades moderadas y profundas y como docente de nivel terciario en el Instituto de Profesorado Nro 2 “Joaquín V. González” de Rafaela. Publicaciones editadas -catálogos y libros - expresan su interés en el estudio teórico de las artes visuales. En 2011, Flanbé editó su Tratado Personal, Cuaderno de Color. Ha participado en diversas muestras, proyectos individuales y colectivos desde los 90 hasta la actualidad. En 2019 obtuvo el 2do Premio Adquisición en la 8va Bienal Nacional “Premio Ciudad de Rafaela”. In the 70s, she began her studies at the Escuela de Artes de la Universidad Nacional de Córdoba and in between 1982/85 she obtained the Licenciatura en Artes Visuales en el Liceo Municipal de Santa Fe. In the 90s she participated in the drawing workshop with Hermenegildo Sábat as well as Fundamentos y Visuales with Alberto Delmonte. During 2000/06 she acquired a postgrade degree, Licenciatura en Artes Visuales, at the Universidad Nacional del Litoral. In 2009, she participated as an advisor in the scholarship program for group projects from the Fondo Nacional de las Artes along with Matilde Marín.She was an art professor at the Instituto Superior del Profesorado Nro 2 "Joaquin V.Gonzalez" in Rafaela, in addition, she also taught art to students with moderate and severe disabilities.Publishers expressed interest in her studies, and in 2011, Flanbé edited and published her book: "Tratado Personal, Cuaderno de Color". From the 90s until present day, she has been actively involved in collective and individual projects and exhibitions.In 2019, she won the 2nd Acquisition Award in the 8th Bienal Nacional "Premio Ciudad de Rafaela" https://flanbe.online/lucila-bodeln daily 0.75 2021-10-12 https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/1631730336179-VOFEEM8NYVYX5UB9PVZ3/15Cm-rVg.jpeg Lucila Bodelón - Lucila Bodelón nace en Buenos Aires, Argentina. Es fotógrafa,artista visual y poeta. Estudia cine impulsada por el deseo de vivir mundos y vidas inventadas, ajenas. Aprende allí mucho y organiza su mirada. De la escuela de fotografía obtiene una maravillosa excusa para viajar y ser street photographer. Le gusta mudarse y transitar distintos escenarios. La naturalezaes su contexto preferido para crear.La fotografía le permite unir y estar en paz entre lo real y su imaginario, es la aliada que le ayuda a comprender el mundo,colecciona cámaras y las prueba a todas.Con los años y el devenir se ha ido construyendo artista. Su maestra será siempre Marta Zátonyi.Actualmente continúa su trabajo de fotógrafa, imparte clínicas y talleres, escribe y colabora con programas de residencias para artistas. Vive en Madrid Lucila was born in Buenos Aires, Argentina. She’s a photographer,visual artist and poet. Driven by the desire to live invented and borrowed worlds and lives, she pursues her film career,where not only does she learn a lot, but also manages to organize her look or perspective on things. Furthermore, her attending to photography school gives her a wonderful excuse to travel around and become a street photographer.She likes to move around and go through and inhabit diverse scenarios. Nature is her preferred context for creation.Photography allows her to unite and make peace between thereal and her imaginary. It’s the ally who helps her understand the world. She collects cameras and tries them all.Throughout the years and the development of life, she’s beenbuilding herself as an artist. Her teacher and mentor has been and will always be Marta Zátonyi.Currently she continues her work as a photographer, dictates workshops and clinics, writes and collaborates with residency programs. She lives in Madrid. https://flanbe.online/akinori-oishi daily 0.75 2021-10-12 https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/1633522726198-XFSECNBLFPXK71N04MD9/QWlTwJMw.jpeg Akinori Oishi - Akinori es un artista japonés de renombre internacional. Estudió Bellas Artes en la Universidad de Arte de Kioto y más tarde desarrolló sus habilidades en diseño multimedia en IAMAS (Academia Internacional de Artes y Ciencias de los Medios de Comunicación). Su proyecto final en esta escuela ganó el premio del Concurso de Nuevos Talentos en MILIA (Feria Internacional Multimedia de Francia) en 2001, lo que le llevó a trasladarse a Francia para continuar allí su carrera artística. Su obra fue presentada en la exposición inaugural del museo de arte contemporáneo Palais de Tokyo, en París. Posteriormente, fue profesor invitado en la ECAL (Escuela Cantonal de Arte de Lausana) en Suiza. En 2004, Akinori regresó a Japón para enseñar en la Universidad de Arte Tama de Tokio. Desde su regreso, ha participado activamente en la escena artística japonesa, creando ilustraciones y anuncios para Mitsubishi Electric, Uniqlo o Coca Cola Japón. Akinori is an internationally acclaimed multimedia artist from Japan.He studied fine arts at Kyoto City University of Art, and later developed skills in multimedia at IAMAS (International Academy of Media Arts and Sciences / Japan).By his project of IAMAS, winning the New Talent Competition Award at MILIA (International Multi-media Fair in France) in 2001, he moved to France in order to continue his artistic career there.His work was featured in the opening exhibition of French contemporary art museum, Palais de Tokyo in Paris.He later served as a guest lecturer at ECAL (Ecole Cantonale d’Art de Lausanne / University of Art and Design Lausanne) in Switzerland. In 2004, Akinori returned to Japan to teach at the Tama Art University in Tokyo.Since his return, he has been active in the Japanese art scene, illustrations, and advertisements with Mitsubishi Electric, Uniqlo, Coca Cola Japan. https://flanbe.online/lena-szankay daily 0.75 2021-10-23 https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/1633523447437-F8KEC1RN8AIDY1RKFN3F/2eQjPH6w.jpeg Lena Szankay - Utilizo las imágenes como herramientas de comunicación; como un medio de observación social y estética. Mi trabajo artístico adopta la forma de fotografías ei mágenes en movimiento, que a menudo incluyen material de archivo y texto y se entrelazan en un sistema de múltiples capas. Mi obra tematiza las diferentes representaciones de la impermanencia, la vulnerabilidad y la constante transformación de la vida humana. Los objetos y lugares se presentan como significantes de identidad y puntos de inflexión históricos. Señalo la relación entre la domesticación de la naturaleza y el rechazo de la visión antropocéntrica.El terreno fértil de lo fantástico es para mi, la mejor estrategia para acercarse a lo“real”, para abordar sutilezas, decodificar idiosincrasias, escudriñar el inconsciente. Una preocupación central de mi autoexpresión artística gira en torno al cuestionamiento del medio y la distribución de la fotografía en sí. A menudo presento mi trabajo en espacios públicos, produciendo múltiples reproducciones de libre acceso para desafiar la idea de las ediciones limitadas y su circulación restringida en los mercados de arte. El objetivo de esta práctica es llamar la atención sobre las relaciones entre una imagen, su reproducción y su distribución. I use images as tools of communication; as a means of social and aesthetic observation. My artwork takes the form of photographs and moving images, which often include archival material and text and are interwoven in a multi-layered system. My work thematizes the various representations of impermanence, vulnerability and the constant transformation of human life. Objects and places are presented as signifiers of identity and historical turning points. I point out the relationship between the domestication of nature and the rejection of the anthropocentric vision. The fertile ground of the fantastic is for me, the best strategy to approach the "real", to address subtleties, decode idiosyncrasies, scrutinize the unconscious. A central concern of my artistic self-expression revolves around the questioning of the medium and the distribution of photography itself. I often present my work in public spaces, producing multiple freely accessible reproductions to challenge the idea of limited editions and their restricted circulation in art markets. The goal of this practice is to draw attention to the relationships between an image, its reproduction and its distribution. https://flanbe.online/lars daily 0.75 2021-10-12 https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/1633708062481-FY9JCB0ZW8TQ1F6YZXMM/HnoWUZKQ.jpeg Lars Lindemann - Lars Lindemann es director de fotografía y subdirector visual de GEO y PM. Después de estudiar geografía, historia y educación, Lars Lindemann se convirtió en editor de fotos, fotógrafo y curador autodidacta. Ha trabajado como freelancer para varias revistas antes de unirse a GEO. En 2015 se convirtió en director de fotografía y subdirector creativo de la revista GEO. Desde 2020, he estado supervisando el departamento de fotografía de la familia de revistas GEO y PM. Paralelamente a su trabajo periodístico, Lars Lindemann ha enseñado edición de fotografías en la Universidad de Ciencias Aplicadas y Artes de Dortmund, Alemania,y ha sido curador de exposiciones fotográficas. Ha sido miembro del jurado de concursos de fotografía nacionales e internacionales, incluído el World Press PhotoContest. El trabajo de Lindemann y sus colegas ha ganado varios premios de la Academia Principal, el Club de Directores de Arte Alemán y un Premio Internacional Imágenes del Año por el Mejor Uso de la fotografía en una revista impresa. En 2019, se convirtió en miembro designado de la Sociedad Alemana de Fotografía DGPH. Lars Lindemann is the director of Photography and deputy visual director at GEOand PM. After studying geography, history and education, Lars Lindemann became a self-taught photo editor, photographer and curator. He has been freelancing for various magazines before joining GEO. In 2015 he became GEO magazine’s director of Photography and deputy creative director. Since 2020, he has been overseeing the GEO and PM family of magazines’ photo department. Parallel to his journalistic work Lars Lindemann has taught photo editing at the University of Applied Sciences and Arts in Dortmund, Germany, and curated photo exhibitions. He has been a jury member for national and international photo contests,including the World Press Photo Contest. Lindemann’s and his colleagues' work has earned several awards from the Lead Academy, German Art Directors Club and a Pictures of the Year International Award for Best Use of photography in a print magazine. In 2019, he became an appointed member of the German Photographic Society DGPH. https://flanbe.online/laura-vansky daily 0.75 2021-10-08 https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/1633710235801-TW7O8S2SM9XM4JKEEWEP/NapEHPpg.png Laura Varsky - Diseñadora gráfica egresada con honores de la Universidad de Buenos Aires con posgrado en FLACSO en Gestión y política en cultura y comunicación.Se ha especializado en el diseño de discos y libros. En el año 2006 se adjudicó el Premio Grammy Latino como Directora de Arte, galardón para el que también fue nominada en 2014, 2015 y 2018 entre otros reconocimientos. Cabe destacar el Premio a la excelencia de la Communication Arts en 2015 y el segundo premio nacional en la categoría diseño otorgado por el Fondo Nacional de las Artes en 2018. En paralelo, su interés por el desarrollo de distintos lenguajes gráficos y la búsqueda de uno propio la han acercado al mundo de la ilustración, terreno en el que ha alcanzado diversas distinciones como el prestigioso premio chileno Amster Coré. Hoy en día se especializa en la ilustración aplicada a productos siendo miembro fundadora del colectivo de artistas y diseñadores de superficies “With love from Argentina”. Laura es autora y coautora de varios libros ilustrados: “Verdesolar” (2004),“Peleonas, mentirosas y haraganas” (2007), “Cuatro gatos negros flacos”(2011), “Lady René” (2011), “Instrucciones para tratar la melancolía” (2012),"Lo que el viento me dejó" (2012), “200 Años de Monstruos y Maravillas Argentinas” (2015), “Nidos que arrullan” (2017) y “El Álbum” (2019). Su trabajo ha sido publicado por editoriales de diversos países y forma parte de la colección permanente de diseño del Museo de Arte Moderno de Buenos Aires así como de la Fundación IDA, Investigación en Diseño Argentino. Es co-directora del posgrado Programa de Actualización en Ilustración Profesional de la Universidad de Buenos Aires y ha sido parte de la enseñanza de grado durante más de 10 años en la misma institución. Brinda conferencias y workshops en distintos países.Ha participado del armado de las Jornadas Profesionales para Ilustradores de la Feria del Libro de Buenos Aires, ha organizado el Encuentro Internacional de Ilustración - MICA 2015 y es parte de la colectiva de diseño con mirada de género Hay Futura. Graphic designer graduated with honors from the University of Buenos Aires with a postgraduate degree in FLACSO in Management and politics in culture and communication.He has specialized in the design of records and books. In 2006 she was awarded the Latin Grammy Award as Art Director, an award for which she was also nominated in 2014, 2015 and 2018 among other recognitions. It is worth highlighting the Award for Excellence in Communication Arts in 2015 and the second national award in the design category awarded by the National Endowment for the Arts in 2018.In parallel, her interest in the development of different graphic languages and the search for her own have brought her closer to the world of illustration, a field in which she has achieved various distinctions such as the prestigious Chilean Amster Coréaward. Today she specializes in illustration applied to products, being a founding member of the collective of artists and surface designers “With love from Argentina”.Laura is the author and co-author of several illustrated books: “Verdesolar” (2004),“Brawlers, liars and lazy” (2007), “Four skinny black cats” (2011), “Lady René”(2011), “Instructions to treat melancholy ”(2012),“ What the wind left me ”(2012),“200 Years of Monsters and Argentine Wonders ”(2015),“ Nidos que lull ”(2017) and“El Álbum ”(2019) .His work has been published by editorials in various countries and is part of the permanent design collection of the Museum of Modern Art in Buenos Aires as well as the IDA Foundation, Research in Argentine Design.She is co-director of the Postgraduate Program for Professional Illustration Update at the University of Buenos Aires and has been part of the undergraduate teaching for more than 10 years at the same institution. He gives conferences and workshops in different countries.He has participated in the assembly of the Professional Conference for Illustrators of the Buenos Aires Book Fair, has organized the International Encounter of Illustration- MICA 2015 and is part of the Hay Futura design collective with a gender perspective. https://flanbe.online/pascal-haas daily 0.75 2021-10-08 https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/1633726140224-QCG2LPYN0OX3BLRI1ISU/0eedsXsw.jpeg Pascal Haas - Pascal Haas nació en Luxemburgo. Estudió Comunicación Visual en la »École Nationale Supérieure des Arts Visuels de la Cambre« de Bruselas y en la Universidad de las Artes de Berlín. Lleva más de diez años trabajando como diseñador gráfico autónomo. Su obra ha ganado numerosos premios y ha sido expuesta en Argentina, Bélgica, Canadá, Francia, Alemania, Gran Bretaña yLuxemburgo. Vive y trabaja en Berlín. Pascal Haas was born in Luxemburg. He studied Visual Communication at the "École Nationale Supérieure des Arts Visuels de la Cambre" in Brussels and at the University of the Arts in Berlin. He has been working as a freelance graphic designer for more than ten years. His work has won numerous awards and has been exhibited in Argentina, Belgium, Canada, France, Germany, United Kingdom and Luxemburg. He lives and works in Berlin. https://flanbe.online/ctedra daily 0.75 2021-10-12 https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/1633709562816-WM853FX1T4AVFBJVP8L1/ELWmllsA.jpeg Cátedra Wainhaus - La Morfología ocupa un lugar estratégico, constructor de sentido, ya que integra los diferentes modos en los que se revelan, se comprenden y se crean las formas visuales en relación con la práctica productiva del diseño. Así, la Morfología permite desnudar las particularidades del pensamiento plástico del estudiante: al aprovechar esta condición constituye una disciplina que enfoca con sumo rigor los procedimientos estructurantes de los procesos de diseño dado el alto grado de abstracción con el que habitualmente opera. La Organización de la Forma constituye el eje conceptual que orienta la práctica del taller. Nos permite introducir las ideas de generación, estructuración y transformación de las formas. Generalmente intentamos abordar dos niveles de estudio: el de los elementos y el de las relaciones, para que progresivamente, el estudiante pueda individualizar y categorizar los elementos constitutivos de la Forma para comenzar a descubrir y establecer él mismo múltiples posibilidades de ordenarla y materializarla. Esta estrategia de acercamiento a los problemas requiere estudiar aquellos aspectos semiológicos presentes en cualquier forma (forma-comunicación) tanto como los modos en que las formas son percibidas, (forma-percepción). Buscamos incentivar el desarrollo de técnicas instrumentales sólidas y variadas que permitan sostener adecuadamente la capacidad ideativa del estudiante. Proponemos, así, anualmente, el desarrollo de estudios sobre ejes conceptuales (por ejemplo, el estudio de la relación entre Naturaleza-Artificio, el de los procesos de Acumulación-Selección-Ordenamiento o el de la relación existente entre estructuras discusivas sonoras y visuales, por citar tres ejemplos). Estos desarrollos orientan la actividad teórica y la de taller, que incluye un progresiva integración conceptual entre los talleres de Morfología 1 y Morfología 2. Esta idea suele acentuarse con la decisión de realizar propuestas comunes —si bien con distinto grado de complejidad— en el período final de cada uno de los cursos. Morphology occupies a strategic place, constructor of meaning, since it integrates the different ways in which visual forms are revealed, understood and created in relation to the productive practice of design. Thus, Morphology allows to bare the particularities of the student's plastic thinking: by taking advantage of this condition, it constitutes a discipline that focuses with extreme rigor on the structuring procedures of design processes given the high degree of abstraction with which it usually operates. Form organization constitutes the conceptual axis that guides the practice of the workshop. It allows us to introduce the ideas of generation, structuring and transformation of forms. Generally we try to approach two levels of study: that of the elements and that of relationships, so that progressively, the student can individualize and categorize the constituent elements of the Form to begin to discover and establish himself multiple possibilities of ordering and materializing it. This approach to problems strategy requires studying those semiological aspects present in any form (form-communication) as well as the ways in which forms are perceived (form-perception). We seek to encourage the development of solid and varied instrumental techniques that allow the student's ideational capacity to be adequately sustained. Thus, we propose, annually, the development of studies on conceptual axes (for example, the study of the relationship between Nature-Artifice, that of the processes of Accumulation-Selection-Ordering or that of the existing relationship between sound and visual discussion structures, to cite three examples). These developments guide the theoretical and workshop activity, which includes a progressive conceptual integration between the Morphology 1 and Morphology 2 workshops. end of each of the courses. https://flanbe.online/flor-reina daily 0.75 2021-10-12 https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/1634063425662-V5EGQU92ZHFT7UT35B24/O__dMoJQ.jpeg Flor Reina - María Florencia Reina (22 de agosto de 1975-10 de abril de 2010). Fotógrafa y diseñadora gráfica,egresada de la Universidad de Buenos Aires, Florencia obtuvo una beca como artista residente en laJan Van Eyck Akademie, que le permitió vivir entre 2002 y 2004 en Maastricht, Holanda. Allí elaboró proyectos que involucraron producciones individuales y colectivas, y se desarrollaron en forma de obra artística y de acciones públicas en Maastricht, Amsterdam, París, Puerto Rico y Buenos Aires. Durante la residencia en Maastricht se consolidó su formación profesional y su búsqueda personal, y desde entonces se inclinó hacia el área del arte conceptual. De regreso en Buenos Aires, y en paralelo a su trabajo como fotógrafa y diseñadora gráfica, desarrolló proyectos artísticos,asumiéndolos como un espacio de investigación, reflexión y acción permanente. María Florencia Reina (August 22, 1975 – April 10, 2010). As a photographer and graphic designer graduated from Universidad de Buenos Aires (University of Buenos Aires), Florencia earned a scholarship as a resident artist at the Jan Van Eyck Akademie. This allowed her to live, between 2002 and 2004, in Maastricht, Netherlands. There she developed several projects which involved individual and collective productions which took place as art work and public actions in Maastricht, Amsterdam, Paris, Puerto Rico and Buenos Aires. During her residency in Maastricht she consolidated her professional training as well as her personal search and since then, she became inclined to conceptual art. When she returned to Buenos Aires, and parallel to her work as photographer and graphic designer, she developed several artistic projects assuming them as places for research, reflection and permanent action. https://flanbe.online/gabriela-di-giuseppe daily 0.75 2021-10-12 https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/1634063968203-MZ9BJISV19GS89099BY2/Y6zM3LCg.jpeg Gabriela Di Giuseppe - Gabriela Di Giuseppe nació en Buenos Aires en 1975. Es diseñadora gráfica y artista visual. Estudió Diseño Gráfico en la UBA y se formó en numerosos espacios teóricos y talleres. Entre 1996 y 2004 fue docente de las materias Conocimiento proyectual, Historia y Metodología del Diseño en diversas carreras. Se especializó en el ámbito de diseño y edición, inicialmente como Coordinadora del Área de diseño y publicaciones en el Centro Cultural Rector Ricardo Rojas y desde 2004 en Adriana Hidalgo editora. Su obra ha sido exhibida en muestras individuales y colectivas; entre las más recientes se encuentran Collages, en el Centro Cultural Parque de España, Rosario, en 2010, y Papeles de Inventario, en el Centro Cultural Recoleta, Buenos Aires, en 2011, ambas junto a Eduardo Stupía. Gabriela Di Giuseppe, graphic designer and visual artist, was born in Buenos Aires in 1975. She studied Graphic Design at University of Buenos Aires and worked in numerous theoretical and workshop areas. Between 1996 and 2004 she worked as a teacher in the following subjects: Projectual Knowledge, History and Design Methodology. She specialized in the field of designing and editing, initially as Coordinator of the Publishing and Design Department at Centro Cultural Rector Ricardo Rojas; since 2004, at Adriana Hidalgo editora. Her work has been exhibited in both individual and group exhibitions, being the most recent Collages, 2010, at Centro Cultural Parque de España, Rosario, and Inventory Papers, 2011, at Centro Cultural Recoleta, Buenos Aires, both in collaboration with Eduardo Stupía. https://flanbe.online/toms-cochello daily 0.75 2021-10-12 https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/1634064388091-59B30TA84JWXLUPYL9VJ/6KrBL-Qg.jpeg Tomás Cochello - Tomas Cochello terminó la carrera de negocios y luego se interesó por la fotografía. La cual se convirtió en una herramienta espejo y de nuevas puertas en su búsqueda personal. Ha viajado y vivido en el exterior desde 2007. Participó de “Aarhus, Journalisthøjskole”, un programa internacional de fotografía en Dinamarca, y luego trabajó durante 6 meses en la agencia Noor. Colaboró para medios editoriales y periodísticos de distintos países. A partir de 2012 reside y trabaja en Buenos Aires,donde comenzó con el proyecto Monte. Tomas Cochello (Argentina, 1981) finished a BA in business and followed his interest in photography that became a tool as a mirror and a new door for its personal search. He has lived and travelled abroad from 2007. He participated at the international program of photography in Denmark (Aarhus, Journalisthøjskolen) and became an intern for six months at Noor agency. He has worked with editorial and journalistic media for different countries. Since 2012 he lives and works in Buenos Aires where he started a project called Monte. https://flanbe.online/mauro-suarez-torrico daily 0.75 2023-01-20 https://images.squarespace-cdn.com/content/v1/5f42f9c394ae0c38dd1eff33/6a0395aa-e759-4f1c-ab38-45cf5c730107/Suarez+Torrico+Mauro.jpg Mauro Suarez Torrico - Mauro (1985) es arquitecto por la Facultad de Arquitectura, Diseño y Urbanismo de la Universidad de Buenos Aires (2010, FADU-UBA). Especialista en docencia para las áreas de la arquitectura, el diseño y el urbanismo en la misma universidad (2017, FADU-UBA). Es Magíster en Docencia Universitaria por la Universidad de Buenos Aires (2022). Se formó en Escenografía en el programa de posgrado DPEA Scénographe de la Escuela Nacional Superior de Arquitectura de Nantes, Francia (2018, ENSA-NANTES). Profesor e investigador en las áreas de la arquitectura, el urbanismo y el diseño escénico, se desempeña en distintas universidades de Buenos Aires. Como profesor invitado participó en jurys, dictó workshops, ofreció conferencias y seminarios en distintas casas de estudio. Como investigador y académico participó en calidad de expositor, ponente y coordinador en congresos y encuentros académicos. Sus trabajos fueron publicados y pueden leerse en medios especializados de arte y educación. Joven Docente Investigador SI-FADU (2019-2022), dirige el proyecto de investigación avanzado “Las prácticas de la enseñanza en la coyuntura de la pandemia por Covid-19” (SI FADU UBA). Dirige también el proyecto de investigación “Experimentaciones morfológicas en la enseñanza de la arquitectura y el diseño” (INSOD FADI UADE). En las artes escénicas se formó en actuación, dramaturgia, dirección actoral, puesta en escena y escenografía, con: Paula Grinszpan, Justo Gisbert, Mariana Mazover, Lola Banfi, Félix Padrón, Mauricio Kartún, Ariel Barchilón, Marcelo Savignone, Guillermo Cacace, Marco Antonio de la Parra, Rafael Spregelburd y Emilio García Wehbi. En las artes visuales se formó con Renée Moscowitin. Su proyecto artístico “Huellas para una arqueología del futuro” fue seleccionado recientemente por la Academia de Arquitectura de Francia para asistir como artista residente en la Ciudad Internacional de las Artes de París, Francia, en 2023. En 2022 publicó su primer libro, “Pequeña filosofía del taller”, Flanbé Ediciones, Buenos Aires, Argentina. En sus trabajos y procesos confluyen docencia, arquitectura y artes escénicas. Crea con lenguajes visuales y escritos. Artista residente en la Cité Internationale des Arts, vive a la fecha en París, Francia. Mauro (1985) graduated as an architect from the Faculty of Architecture, Design and Urbanism of the University of Buenos Aires (2010, FADU-UBA). He is Specialist in teaching in the areas of architecture, design and urbanism at the same university (2017, FADU-UBA). He is Master in University Teaching at the University of Buenos Aires (2022). He studied Scenography in the postgraduate programme DPEA Scénographe at the Ecole Nationale Supérieure d'Architecture de Nantes, France (2018, ENSA-NANTES). Professor and researcher in the areas of architecture, urbanism and scenic design, he works in different universities in Buenos Aires. As a guest professor participated in jurys, gave workshops, conferences and seminars. As a researcher he has participated as a speaker, lecturer and coordinator in conferences and academic meetings. His works have been published and can be read in specialised art and education media. Young Teaching Researcher SI-FADU (2019-2022), he directs the research project "Teaching practices in the context of the Covid-19 pandemic" (SI-FADU UBA). He also directs the research project "Morphological experimentations in the teaching of architecture and design" (INSOD FADI UADE). In the performing arts he has a wide range of studies in acting, dramaturgy, direction, stage design and scenography with: Paula Grinszpan, Justo Gisbert, Mariana Mazover, Lola Banfi, Félix Padrón, Mauricio Kartún, Ariel Barchilón, Marcelo Savignone, Guillermo Cacace, Marco Antonio de la Parra, Rafael Spregelburd and Emilio García Wehbi. In the visual arts he studied with Renée Moscowitin. His artistic project "Traces for an archaeology of the future" was recently selected by the French Academy of Architecture to attend as artist in residence at the International City of the Arts in Paris, France, in 2023. In 2022 he published his first book, "Pequeña filosofía del taller", Flanbé Ediciones, Buenos Aires, Argentina. Teaching, architecture and performing arts converge in his work and processes. 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